leave your clothes at the door.
november 2025, new york NY
NEW YORK, NY— ‘Leave Your Clothes at the Door’ marks Norwegian born, New York-based artist Eleen Halvorsen’s first presentation of sculpture and painting. Conceived as a one-night-only exhibition and intimate launch event, the presentation signals a pivotal expansion beyond her work in conceptual fashion and object-making. In this new chapter, Halvorsen deepens her ongoing exploration of the female body, sexuality, self-discovery, and expression, both on and off the body.
“The title ‘Leave Your Clothes at the Door’ can be read as a metaphor for vulnerability. Unveiling a new body of work feels nerve-wracking, yet freeing. In a way it feels like a coming-of-age moment in my art practice, a thrilling mix of innocence, danger, and liberation. Like a teenager speeding down a neighborhood street on her bike at dawn, no hands on the handlebars, on her way to meet a new lover, or the innocently dangerous tingling feeling of pleasure and something forbidden as tight jeans rubbing against a bike seat for the first time.”
The exhibition strips away the garments that have, until now, defined Halvorsen’s artistic language, revealing a raw evolution of form and material. In these new works, the female form takes center stage through a series of sensual, hand-sculpted figures in concrete and steel, left bare, rugged, and tactile, alongside large-scale monochromatic oil paintings in which the abstracted body becomes both subject and landscape, a vessel for emotion, memory, and transformation. Layers of paint evoke the softness of flesh and the shadow of gesture, their textures concealing and revealing elusive hints of the feminine figure.
Halvorsen describes her process as one of deliberate opposition, an interplay between control and surrender, sensuality, and restraint. “There has to be a certain tension in my work. Whether that’s incorporating bondage elements into traditional tailoring, or juxtaposing traditionally masculine construction materials like concrete and steel with organically abstract bodies. I’m drawn to the raw feminine, the point where beauty, discomfort, and desire converge.”
Through this new body of work, the artist invites viewers into her world from a new perspective: intimate, fearless, and deeply personal.
Exhibition view, Leave Your Clothes at the Door, New York, 2025. Photography: Inna Svyatsky.
Exhibition view, Leave Your Clothes at the Door, New York, 2025. Photography: Inna Svyatsky.
Waiting for a Ride, 2025
Mother, 2025
Cinched, 2025
Single Ride, 2025
Exhibition view, Leave Your Clothes at the Door, New York, 2025. Photography: Inna Svyatsky.
Riding Backwards with No Breaks, 2025
Bending Over Backwards with My Chest in Tangles, 2024
No Trespassing, 2022
Security Blanket, 2024
Exhibition view, Leave Your Clothes at the Door, New York, 2025. Photography: Inna Svyatsky.
The Onlooker Seats, full sectional, 2025
The Onlooker Seats, full sectional, 2025, detail
The Onlooker Seat, IV, 2025, detail
The Onlooker Seat, IV, 2025
Mother, 2025
Growing Pains, 2025
Nightwalking, 2024
Shedding the First Layer, 2019-2025
Exhibition view, Leave Your Clothes at the Door, New York, 2025. Photography: Inna Svyatsky.
Exhibition view, Leave Your Clothes at the Door, New York, 2025. Photography: Inna Svyatsky.